#ThesisThursday: “Iranian Cinema and the Fight Against Censorship”

  According to Azadeh Farahmand (2002:87), “Socio-economic factors and institutional politics contribute to the elevations of films, filmmakers and national cinemas to the level of high art”. This is truly the case for contemporary Iranian cinema. Since the Revolution of 1979, Iranian filmmakers have learned to overcome the limitations created by the current economic issues… Read More #ThesisThursday: “Iranian Cinema and the Fight Against Censorship”